|
Da. Joaquina Valdez y Cepeda. Cabrera, Francisco (1780-1845). Miniaturista y grabador.
Nació en la ciudad de Guatemala el 18 de septiembre. Para 1796,
cuando tenía 16 años, su maestro Pedro Garci-Aguirre lo
propuso como maestro corrector de la Casa de la Moneda y la Sociedad
Económica de Amigos del País. A finales de 1808 participó
junto a Casildo España y Manuel Portillo en la notable obra impresa
“Guatemala”, por Fernando VII. Después de la Independencia,
en 1821, su labor como troquelador de la Casa de la Moneda se hizo de
mayor responsabilidad porque los modelos debían diseñarse
en Guatemala. Como retratista, además de Garci-Aguirre tenía
influencias de Juan José Rosales, grabador y pintor guatemalteco
que conservaba parte de la tradición barroca, pero con elementos
románticos, entremezclado todo ello en un agradable tono de pintor
popular. |
||||
| Cabrera, Francisco Despite the quality of his work as a printmaker and medallist,
Cabrera gained artistic recognition especially as a miniature painter,
working mostly in watercolour on ivory in a meticulous technique. He
produced some miniatures on religious themes and others of birds, but
the majority, measuring no more than 50 mm in height or width, were
portraits of members of the Guatemalan aristocracy and bourgeoisie.
It is not known exactly how many he produced, but from the middle of
the 1830s he began to number them, starting from 500; the highest known
number of the approximately 200 authenticated miniatures is 745. Although
he suffered some illness, he was most productive during the last five
years of his life. An evolution can be discerned from his earliest works,
dating from c. 1810, in which he painted in compact and smooth vertical
strokes on grey backgrounds tinged with green, through to the extraordinarily
fine quality of anatomical drawing in his final works, with pale blue
backgrounds. He had several students, including Justo Letona, José
Letona, Delfina Luna and Leocadia Santa Cruz, but none rivalled him
in quality. As a miniature painter he remained an essentially solitary
figure, following no local precedents and leaving no substantial legacy.
BIBLIOGRAPHY Luján-Muñoz, Jorge: 'Cabrera, Francisco', The Grove Dictionary of Art Online, ed. L. Macy (Accessed 07/12/2002) <http://www.groveart.com> |
|||||
|
|